An old track I love, uploaded and shared for the first time on Sound Cloud, south-american road music, panoramic soundtrack.
Harmonica by Michel Herblin
Charango, bombo, guitars(nylon), kuntrun (brushes), acoustic bass guitar by DD
Photo by Diego Jimenez
Publisher: Cezame-FLE
For licenses please visit:
CEZAME MUSIC AGENCY
www.cezame-fle.com/compositeurs/fr…aniel-Diaz.html
@cezamemusicagency
Recorded by DD at the Pleasure Dome, Paris and Exile Studios, Argentina.
Mixed and mastered by Etienne Colin at GUM studios Paris
(C)&(P) Daniel Diaz/DedeLand/Cezame 2010
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Created for a disquiet junto challenge “Compose and record a piece of music that is 10 bpm and in 3/4 time”.
Took my favourite ¾ piece, F. Chopin’s Op64 number 2 in C# minor (1847). Played the most fast moving part of it so it won’t be that boring slowed down to the insane 10bpm tempo (starting on measure 32 on my sheet music but ended up keeping the second stanza, measure 42 till 50)
Made a midi track out of it, copied it to all 16 midi channels and sent it to random hardware synths in whichever patch they were set at this particular moment (including one drum and one reverse percussion patch on my Emu Proteus 1 and a full string orchestra sample library)
Kept 8 tracks out of that random midi thing, trashed the rest, edited (creative use of the DELETE button), applied reverbs and volià.
The “synth pad” sounds you hear are actually reversed reverbs (3s, 8s, 10s)
Created for Disquiet Junto Project 0299: 10bpm Walt. Based on Fryderyk Chopin’s Valse en Do# mineur Op64 number 2 (1847) performed, transformed and edited by DD in Paris, Friday 22nd September 2017.
Tempo: strict 10 BPM throughout.
More on this 299th weekly Disquiet Junto project — 10bpm Waltz: Make super slow music in 3/4 time — at:
disquiet.com/0299/
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Instrumental, melodic fretless bass (my good old Sekine custom, circa 1985).
Solo fretless bass take, doubled with a moog synth and sparse synth pad on the background. Delay, panner and reverbs as only FX here.
Simple “recitativo” melody, no solos, no big development other that the repeated coda/cadenza.
Performed by DD, Paris, France, July 2017.
24bit master DR12
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Out Of The Cave (El Tala)
I played two charangos, two flutes (bamboo from bali and plastic flutophone from the USA), I sang four part harmonies, I played some percussion: bombo and kuntrun (from Argentina), plastic tubes, derbouka (from Turkey) and a hi pitched filtered percussion loop (that served me as metronome).
The convolution reverb used is from “Buffalo Cave”, wherever it is.
Image by Laura Agusti
This track is featured in the compilation “a future in commons” dedicated to Bassel Khartabil
https://afutureincommons.bandcamp.com/
Other tracks I created to support Bassel’s liberation and then to honour his memory when he was executed, are here:
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Composed and performed by DD, Paris, France, July/August 2017
Synthesisers (Korg, Emu, z3Ta, Pentagon, Analogue Lab)
String orchestra (samples)
Dedicated to Angelo Badalamenti
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A simple and sensitive track taken back from the dark of my vault….
An old track from 2009, publisher’s commission for a “Childhood” themed project. Never released, just got the rights back,
Performed in Buenos Aires, Villa Gessel (Argentina) and Paris (France) by
DD: upright pianos, requinto (steel string) upright bass, melodica
Miguel Yanover (recorder/flauta dulce) @yanomito
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This Blog features DedeLand Music’s news and information about composer/recording artist Daniel Diaz.