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World’s End Serenade, new single release.

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New release January 31st 2019

World’s End Serenade

https://awal.lnk.to/i5pVo

 

 

 

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Junto collaborative challenge: 3 parts of a virtual trio

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Disquiet Junto Project 0367: Trio Initiate
The Assignment: Record the first third of an eventual trio.

Solo accordina recording by myself:

 

Disquiet Junto Project 0368: Engage Duo
The Assignment: Record the second third of a trio, adding to a pre-existing track.

DD: electric bass
Ian Joyce: all the rest @ikjoyce.

 

 

Disquiet Junto Project 0369: Final Solo
The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track.
daniel-diaz: electric guitar
sityphoxx: duduk
joyneski: all the rest

 

Tunnelwater: synth pad
premiere-etape synth bass;
I improvised with my stratocaster

 

 

 

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This is Daniel Diaz, a “essential tracks” playlist by Spotify…

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THIS IS DANIEL DIAZ, The essential tracks, all in one playlist.
Created by Spotify
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Instrumental Argentine music playlist, curated by DD

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I was asked by the people of LE KABARET to curate a personal 1 hour long playlist of acoustic music from argentina, including one track of mine along other musics i love.

Here it is, great artists:

00:00 – Astor Piazzolla – Milonga Del Angel (Piazzolla)
06:29 – Daniel Diaz – Otoño y Martes (Diaz)
08:52 – Nuevo Quinteto Real – El Motivo (Cobián & Contursi)
11:48 – Pablo Marquez – Zamba de Lozano (Gustavo Leguizamon)
16:30 – Eduardo Lagos – Criollita Santiagueña (Yupanqui)
20:28 – Raul Barboza – El Angel (Barboza)
24:46 – Osvaldo Burucua – Paisaje (Burucua)
26:38 – Norberto Pedreira Trio – Zamba para Belen (Pedreira)
34:27 – Jaime Torres – La Arenosa (Gustavo Leguizamon)
39:18 – Dino Saluzzi – Flor De Tuna (Saluzzi)
47:00 – Lucia Abonizio – Danza de la moza donosa, Op. 2 no. 2 (Alberto Ginastera)
50:35 – Manolo Juarez – Viene Clareando (Yupanqui)
55:08 – Emilio Solla – Para La Paz (Solla)
61:25 – Atahualpa Yupanqui – El Tulumbano (Yupanqui)

 

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The Long One: new release January 13th 2019

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New long form acoustic instrumental:

THE LONG ONE

Streaming and download also here:
https://AWAL.lnk.to/h6X2b

The Long One: G major/E minor suite

 

Instruments (in order of appearance)

 

Bowed upright bass harmonics

Cello

Electric Bass Guitar (Drake Diaz Custom5)

Electric guitar (semi-hollow body) (Epiphone Sheraton)

Bowed upright basses

Acoustic guitars (Martin J15)

Mini Moog synthesizer

Violin/Viola

Ukuleles

Harmonium (New Delhi, India)

Marimbas

Xylophone (rosewood)

Pizzicato upright basses .

Accordina (Marcel Dreux custom)

Drums (brushes)

Melodica (Hohner36)

Acoustic piano

Upright bass pizzicato.

Cello & strings soundscape.

Electric Guitars (Stratocaster)

Electric bass with tremolo (Schecter Jazz Bass) played w/pick

Synthetiser (Korg analog pad, Emu Vintage Keys)

Melodica (Hohner36)

Electric Bass Guitar (Drake Diaz Custom5)

String orchestra (samples)

Solo Cello

 

Recorded in Paris, Villa Gesell, Lanus, between 2015 and 2017

 

Composed and Performed by DD

Photo by Juan Hitters

 

 

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First 2019 track: The Endless Solitude of a Mountain Village

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first track for 2019, music for this haiku:

“mountain village
the endless solitude
of a lark’s song”

composed and performed by DD
ukuleles (two takes, L/R)
reverse ukulele
muted upright piano
treated piano (pick and bow)
sine wave monophonic synthesizer
khim (samples)
brass section (albion I)

photo by ricardo gomez angel
poem by iliyana stoyanova

www.naviarrecords.com/2019/01/02/nav…ntain-village/

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New collaboration based on J. L. Borges’ “The Library of Babel.”

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I collaborated with how the night came from  Japan on this lovely project about Jorge Luis Borges’ story ‘The Library of Babel”. I performed my Indian Harmonium on track #6.

 


This E.P. explores the world of Borges’ incredible short story “The Library of Babel.” Based on the hexagonal structure of the library cells, each track emerges in some loose way out the number six, be it track length (6m66s), six instruments playing simultaneously, six note arpeggios, six note (diminished) scales, chords containing six notes, 6/8 rhythms, and so forth.

Some of the music finished up becoming darker than originally envisaged as the more disorienting aspects of Borges’ world took hold. There was, however, still opportunity to be playful in the midst of the library.

All tracks programmed by how the night came.

The themes for tracks 2 and 4 were originally composed on classical guitar by s h.

The Indian harmonium featured in the second half of track 6 was composed and played by Daniel Diaz.

This EP is a free download (name your price from 0$)

 

More on How The Night Came here

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[Acoustic instrumental] The Uncertain Glory of an April Day, a track to close 2018.

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Last track created on 2018,

Acoustic instrumental using changing odd time signatures.
Ukuleles (two takes left-right)
Upright bass
Marimbas
Harmonium
Drums
Caxixis
Analogue synth (à la Rick Wright)

Composed and performed by DD, December 2018

Photo by Vivek Kumar

 

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Ambient online’s image inspired dare # 31 (Dec 2018)

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Tibetan Bowls
Electric Bass
Ukulele
Celesta
Bowed piano (@soniccouture)
paulstreched ukulele and bowl’s hit.
tongue drum percussion
bombo leguero

created on December 2018 for ambient online image inspired dare number 31

Composed and performed by DD

free download

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My rework of Erik Satie’s Gymnopédie N°1

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Gymnopédie N° 1 by Erik Satie

Took a midi performance of the piece, slowed it down to 8 bpm or so, removed repetitions, performed on piano, then orchestrated on top of that with synths and sample libraries treated orchestras.
I think his piece is quite optimistic and quirky, even performed slowly. I took his score’s instructions and followed that as close as I could: “Slow and Painful”
Performed on a cold December Friday afternoon in Paris, France.
Long live Erik Satie. A genius, a true one.
Love
DD

Created for:
Disquiet Junto Project 0363: Gymnopédie Rats
The Assignment: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre.

llllllll.co/t/disquiet-junto-pr…mnopedie-rats/18225

 

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